Sony 50mm f/1.2 GM: Wedding Photographer’s Review After 3 years

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Sony 50mm f/1.2 GM Lens: Comprehensive Review and Insights

This is the Sony 50mm f/1.2 GM lens—a cornerstone of my professional arsenal for both wedding photography and personal projects since its release. Having captured over 100,000 images and delivered more than 30,000 photographs to my clients with this lens, it’s time to share my updated insights and experiences. If you’re deliberating over whether this lens is right for you, especially in comparison to the 1.4 GM or Zeiss alternatives, this review will provide invaluable guidance.

Build Quality:

The lens boasts a robust build, though it leans towards the bulkier end compared to other GM primes. Despite its size, it offers a welcome 1.2 aperture and is notably compact compared to similar primes from other brands. Pairing it with modern Sony bodies like the A7IV or A7RIV feels ergonomic, thanks to their comfortable grips. The lens receives what I call the “GM treatment,” featuring a customizable aperture ring, MF to AF switch, and two custom buttons—a construction I greatly appreciate. The durable materials used have withstood three years of heavy usage admirably, showing minimal wear. Notably, the aperture ring retains its tension and resistance—a feature lacking in my previous experiences with Zeiss lenses.

Performance:

The 50/1.2 GM excels in performance, boasting lightning-fast autofocus and impeccable accuracy, even when shooting wide open at f/1.2. Paired with the A9III at 120fps, its focus speed is remarkable. However, videographers should note its significant focus breathing, though newer cameras offer compensation options. In terms of image quality, this lens consistently delivers outstanding results. I rely on it extensively during weddings, achieving that coveted background separation and creamy bokeh, especially when shooting at f/1.2. The lens truly shines in creating depth and smooth backgrounds, making it a staple in my gear collection.

Low Light Capabilities and Special Effects:

In low-light scenarios, the lens performs admirably, allowing for sharp shots without excessively boosting ISO. Additionally, for those desiring softer portraits or dreamy effects, experimenting with mist filters can enhance the lens’s versatility. While the lens is designed to minimize flare, some may miss the characteristic flare of older lenses. However, its buttery smooth bokeh compensates for this, though some may prefer the more characterful bokeh of other lenses.

Conclusion:

In conclusion, the Sony 50mm f/1.2 GM lens has exceeded my expectations and continues to be an indispensable tool in my kit. While I considered its successor, the 50mm f/1.4 GM, the differences are negligible for most users, making the 50/1.2 GM the preferred choice for those prioritizing depth and performance. For those considering alternatives, the Zeiss 50/1.4 offers stunning image quality but may suffer from technical flaws. Third-party options like Sigma lenses, while comparable, lack the seamless compatibility and features offered by Sony lenses. Ultimately, the 50/1.2 GM stands as a testament to Sony’s commitment to excellence in lens design and performance.

Is Sony 50mm f/1.2 GM still worth buying in 2024?

You can purchase these lenses here:

Sony 50mm f/1.2 GM

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